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1950s-1970s

Swiss International Style

A clean, readable style emphasizing clarity and objectivity through grid-based layouts, sans-serif typography, and asymmetric compositions. Originated in Switzerland in the 1950s.

Live Demo

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Interactive Swiss International Style Demo

Origins & History

The Swiss International Style, also known as the International Typographic Style, emerged in Switzerland during the 1950s. It was developed primarily at two design schools: the Kunstgewerbeschule in Zurich and the Allgemeine Gewerbeschule in Basel.

Key pioneers include Josef Müller-Brockmann, Armin Hofmann, Emil Ruder, and Max Bill. The movement emphasized cleanliness, readability, and objectivity in design, rejecting the emotional appeal of earlier artistic movements.

The style became internationally influential because it provided a universal visual language that could communicate across cultural and language barriers, making it ideal for multinational corporations and international organizations.

Key Characteristics

  • Grid-based layouts with mathematical precision
  • Sans-serif typography (especially Helvetica and Univers)
  • Objective photography over illustration
  • Asymmetric but balanced compositions
  • High contrast with purposeful use of white space
  • Flush left, ragged right text alignment

Why This Demo Is Authentic

This implementation faithfully recreates the Swiss International Style through careful attention to typography, grid systems, color usage, and compositional principles documented in the original movement. Every design decision is grounded in historical research.

Style Guide

Color Palette
Typography

Helvetica Neue

Secondary: Univers

Sans-serif typefaces are fundamental to Swiss design. Typography is treated as a design element...

Grid

12-column modular grid with mathematical precision